Category: Broadway

Broadway | Sweeney Todd: The Demon Barber of Fleet Street

Sweeney Todd: The Demon Barber of Fleet Street

Playing at Lunt-Fontanne Theatre

Musical or play? Musical

Lottery or Rush Tickets? Digital Lottery Available through Broadway Direct

What I Paid: $266.70

Official Website: https://sweeneytoddbroadway.com/

For the first time since 1980, Broadway audiences can experience Stephen Sondheim’s Tony Award®–winning score as it was performed in the original production—with Jonathan Tunick’s classic 26-player orchestration on an epic scale. Tony Award–winning director Thomas Kail (Hamilton) helms the return of this musical thriller starring Tony and Grammy® nominee Josh Groban (Natasha, Pierre & The Great Comet of 1812) as Sweeney Todd and Tony winner Annaleigh Ashford (Sunday in the Park With GeorgeKinky Boots) as Mrs. Lovett. Tony winner Alex Lacamoire (HamiltonDear Evan Hansen) reunites with Kail as Music Supervisor, and Olivier Award winner Steven Hoggett (OnceHarry Potter and the Cursed Child) choreographs this new production of Stephen Sondheim and Hugh Wheeler’s Sweeney Todd: The Demon Barber of Fleet Street.

REVIEW

I’m usually the type of person who enjoys seeing fun, upbeat, and glitzy Broadway shows, but when I found out Josh Groban and Annaleigh Ashford are starring in the new revival of Sweeney Todd, I knew it was an absolute must attend on my recent trip to New York City. I purchased a full price ticket directly through the show’s website a couple months in advance. Since I’m familiar with the show and didn’t feel the need to be that close to the bloody action, I picked a seat in the Center Orchestra, Row R. While the mezzanine does overhang just slightly, I did not feel like my view was obstructed at all, and highly recommend sitting here if you would like a slightly more affordable price.

If you’re new to Sweeney Todd, the show follows the title character as he returns to London after being sent away to prison on false charges by the evil Judge Turpin. He plots to get revenge against the judge, and re-opens his barber shop above Mrs. Lovett’s pie shop. What follows is a dramatic and death-filled story about a man trying to seek justice whilst descending into madness.

As I expected, the show is amazingly performed. I can’t tell you how exciting and surreal it was to see this cast in person. Josh Groban’s voice is incredible, and he does a fantastic job at going from a quiet Sweeney to a downright scary one as the show progresses. Annaleigh Ashford is the perfect Mrs. Lovett. Her comedic timing is spot on, and she had the audience in the palm of her hand for the entire show. The rest of the cast is wonderful as well. Jordan Fisher sounds beautiful as Anthony, and while Gaten Matarazzo was out for the performance I attended, his understudy Nathan Salstone did a flawless job. The other stand-out performance for me is Ruthie Ann Miles as Beggar Woman. Every time she was onstage, my heart went out to her!

Moreover, the theatre itself is transformed to capture the eerie feel of the show. The use of fog when the show opens helps to evoke that unsettled feeling. Similarly, the lighting is very well done. The ensemble is often shrouded in shadow, and many of the scenes have a very dark feel to mimic the story’s themes. If it weren’t for the ambulance sirens going by the theatre (that’s NYC for you), it would be easy to imagine that I’d been transported to dreary London.

I do want to quickly mention the bloody scenes for those of you who may be nervous about attending a gory show. Without giving away too many spoilers, I’ll mention that the anticipation of the bloody moments is actually much worse than the moments themselves. The orchestra and actors work together to create so much tension, that I was actually a bit relieved when the first “shave” takes place and not much blood is seen. In fact, each death is pretty quick, and I feel like the show does a great job at not glorifying them. If you’re still a bit uneasy, do as I did and sit a bit farther back!

Overall, I am thrilled I had the privilege of attending this Broadway revival of Sweeney Todd. Not only was it an amazing opportunity to see so many incredible performers on one stage, but the entire experience was amplified by the audience. From the moment the lights went down until the final bow, I felt like I was part of a wonderful group of theatre-goers experiencing greatness together. Everyone applauded with gusto when appropriate, and was enraptured throughout the rest of the performance. If you are able to see this show, I highly recommend it!

STAGE DOOR

I attended a Saturday matinee performance of Sweeney Todd. While barricades were set up around the stage door, security was very quick to inform everyone that, “There is no Stage Door.” This was disappointing, since I’ve seen many others on social media get their Playbills signed by the entire cast, but I do understand the need to rest between matinee and evening performances. The only off-putting thing was that if you even stood 10-15 feet away from the stage door itself, security yelled at you to move. I tried standing about 15 feet away to order food, and some others were slightly closer trying to look up directions on their phone. I would cross the street or move father down the block to avoid getting scolded, even if you think you are out of the way! If you do want to get your Playbills signed, you may have better luck at evening performances.

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Broadway | The Neil Diamond Musical A Beautiful Noise

The Neil Diamond Musical A Beautiful Noise

Playing at Broadhurst Theatre

Musical or play? Musical

Lottery or Rush Tickets? Digital Lottery Available through Telecharge

What I Paid: $45.00 – Digital Lottery Win!

Official Website: https://abeautifulnoisethemusical.com/

The story of the legendary Neil Diamond comes to life on stage in an uplifting new musical featuring all his hit songs, including “Sweet Caroline,” “America,” and “Cracklin’ Rosie.” From those exhilarating early days in New York to the sold-out spectacles that defined his career, A Beautiful Noise explores the life of a rock icon through the music that made him “a national treasure” (Los Angeles Times).

Directed by Tony Award® winner Michael Mayer (Spring Awakening, Hedwig and the Angry Inch), choreographed by Olivier Award winner Steven Hoggett (Once, Harry Potter and the Cursed Child), and written by four-time Academy Award nominee Anthony McCarten (Bohemian Rhapsody, The Two Popes), A Beautiful Noise is a thrilling look at an artist’s search for himself and a celebration of the enduring power of his music.

REVIEW

I recently visited New York City for a long weekend with the goal to see as many Broadway shows as possible in just two and a half days. While I booked a few tickets in advance, I also wanted to enter some lotteries and go to a couple shows spontaneously. Luckily, I won the lottery for The Neil Diamond Musical A Beautiful Noise on the first try! For $45.00, I sat in Orchestra Center, Row O. This was a great seat, and I had the perfect view of the stage.

This is a jukebox musical featuring Neil Diamond’s songs, while also telling his life story. The show begins with present day Neil visiting his therapist. At first, he is reluctant to talk about his life, but she finally gets him to open up by going through his songbook. The audience then gets to follow Neil from the start of his music career as a songwriter, through his international stardom, and ending with where is he today.

I think it is clever to have two actors play Neil Diamond – the “Now” Neil is played by Mark Jacoby and the “Then” Neil is Will Swenson. I was so excited to see Will in this show (I loved him in Priscilla Queen of the Desert!). He does a wonderful job at showing the juxtaposition of how great Neil feels on stage as a performer with how depressed he feels in his daily life.

Moreover, I learned so much about Neil Diamond in this show. While I was familiar with many of the songs, I truly knew nothing about his life. I was impressed that that show is very honest and does not hold back when it comes to Neil’s infidelity and mental health struggles. Because the show isn’t sugar-coated, it feels very genuine, and I appreciate that real-life Neil allows so much to be shared with the audience.

My favorite moments of the show are, of course, the big musical numbers where “Then” Neil (Will) is adorned in a sparkly outfit. There is an interesting experience where Will breaks the fourth wall, addresses the “Broadway” crowd, and even encourages a bit of audience participation, which is usually a huge no-no on Broadway. I found these moments so much fun, especially the curtain call!

I also have to shout out Robyn Hurder, who plays Neil’s second wife Marcia Murphy. Robyn is an incredible performer! Her solo numbers are amazing, and her vocals and dance abilities are top notch. She truly owns the stage when she’s on it, and I’m so glad I got to see her perform. Speaking of dancing, the ensemble in this show is wonderful as well. I loved watching all of the dance numbers throughout the show.

Overall, I am so glad I won the lottery and got to see A Beautiful Noise on Broadway. If you are a Neil Diamond fan, this show is an absolute must see. That being said, even if you are not familiar with Neil’s work, I still think this show can be enjoyed by anyone. It’s a great mix of entertaining, show-stopping performances with more emotional real-life moments. If you want to have a night out that is so good, so good, so good, look no further than A Beautiful Noise!

STAGE DOOR

The Stage Door is directly to your right when you exit the theater. I saw a Friday evening performance, and very few audience members were waiting to get signed playbills. I think this is partly because the crowd at A Beautiful Noise is generally older in age, and it’s often the younger audience members who go to the Stage Door.

Security let us know right away that Will Swenson does not come out to sign Playbills. That was a bit disappointing, but I appreciated that we were told in advance.

Most of the cast rushed out the door quite quickly, but I was very thankful that Jess Leprotto (who I saw twice in Newsies and loved!), Linda Powell, and Robyn Hurder stopped to sign our Playbills. They were all very nice, and it was great to chat with them for a moment. All in all, I had a wonderful experience at A Beautiful Noise!

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Broadway | Living on Love

Broadway | Living on LoveLiving on Love, A New Comedy with Music

Playing at Longacre Theatre

Musical or Play? Play

Rush? No

Best Place for Discount Tickets: Today Tix App (From $25)

Official Website: livingonlovebroadway.com

Renée Fleming makes her Broadway debut in the new comedy Living on Loveby two-time Tony Award winner Joe DiPietro, based on the play Peccadillo by Garson Kanin, directed by three-time Tony Award winner Kathleen Marshall.

World-renowned soprano Renée Fleming takes to the stage as celebrated diva Raquel De Angelis. When Vito, her larger-than-life maestro husband, becomes enamored with the lovely young lady hired to ghostwrite his largely fictional autobiography, Raquel retaliates by hiring her own handsome, young scribe to chronicle her life as an opera star. Sparks fly, silverware is thrown, and romance blossoms in the most unexpected ways in this brand new hilarious comedy.

REVIEW
I’m not usually a play person, but when I had the opportunity to go see Living on Love for a discounted price, I decided to take a chance. I’m so glad I did! This comedy is one-of-a-kind. First and foremost, it’s simple in that there is a very small cast of six characters, and the entirety of the show takes place in the same location – an upscale Manhattan apartment. Unlike other plays I’ve attended, Living on Love is also a short two hours (intermission included), which is quite manageable even for novice theatergoers.
Moreover, Living on Love is unique in that it is a comedy with music, as the tagline suggests. The storyline focuses on a famous married couple. Maestro Vito De Angelis is set to narrate his autobiography to a ghostwriter, who ended up taking the job simply to meet the Maestro’s wife, opera singer La Diva. Of course, things go wrong – the Maestro and La Diva’s marriage is falling apart and they’re running out of money. What follows is a hilarious family drama filled with ridiculousness, love, and opera. Yes, opera. Acclaimed opera singer Reneé Felming makes her Broadway debut as La Diva, and lends her voice to the show. It may sound weird, but it works.
I was definitely surprised with how much I enjoyed Living on Love. While the story is very predictable, it’s still laugh-out-loud funny. The cast works flawlessly together, and each has great comedic timing. I really loved the incorporation of music into the show, as it fit perfectly with the storyline. Plus, it helped drag a musical lover like me to a play, thus making Living on Love accessible to a wider audience.
I didn’t try for the Stage Door after Living on Love, but I remember from a past experience at the Longacre a few years ago that barricades weren’t set up until 10-15 minutes after the show. If you’re interested in meeting the stars, I recommend asking an usher for more information.
All in all, I’m glad I took the time to see Living on Love. I’m not sure that I would go see it a second time, but I do think it’s worth seeing, especially if you’re looking for a comedy. While the show is geared for adults, there is nothing inappropriate about it, and I would recommend it for families with children middle school age and up. If you’d like a light and quick Broadway experience, Living on Love is definitely the show to see.