Tag: broadway review

Broadway Review | Operation Mincemeat

Posted on by Adventures in Polishland

Operation Mincemeat

Playing at Golden Theatre

Musical or play? Musical

Lottery or Rush Tickets? $49.00 In Person Rush, $59.00 Digital Rush, and $49.00 Digital Lottery

What I Paid: $79.00

My Rating: ★★★★ 1/2

Official Website: https://operationbroadway.com/

Operation Mincemeat is the 2024 Olivier Award-winning Best New Musical , and 2025 Tony Award® Winner for Best Featured Actor in a Musical (Jak Malone)! 

The year is 1943 and right now we’re losing the war. Luckily, we’re about to gamble all our futures on a stolen corpse. Bursting at the seams with the kind of chaos you couldn’t invent, the question is: how did a dead body, a fake love letter, and-of all people-Ian Fleming come together to wrong-foot Hitler?

REVIEW

Despite the high praise I kept hearing for Operation Mincemeat, I honestly wasn’t sure if I would enjoy this British musical about a real-life World War II secret mission. Luckily, the good word-of-mouth and the cast’s performance at this year’s Tony Awards convinced me to head to the Golden Theatre during my recent trip to New York City, and I ended up having an incredible night at the theatre.

In addition to the daily rush and lottery options available for discounted tickets, there is a monthly draw on the Operation Mincemeat website. You can enter your email and receive a coupon code to buy tickets for $79.00. I purchased a seat in Orchestra Center in Row C at this price, which was amazing because the face value of the ticket is $199.00. I absolutely loved sitting up close to the stage, as the actors have a powerful stage presence that is instantly captivating.

Speaking of which, don’t let this cast of five actors fool you – they are each playing several characters! Not only do they all have amazing vocals, but their acting ability is incredible. You can see the physical transformation take place when they switch characters. It’s really quite impressive! I especially loved when David Cumming would go from the shy and awkward Charles Cholmondeley to one of his other roles. The switch was immediate and noticeable, allowing the audience to follow the story even if the action is constantly on-the-go.

Moreover, what I love most about Operation Mincemeat is the energy. The show is replete with upbeat and fun songs that are downright goofy (All the Ladies is a personal favorite!). Yet the show leaves room for truly heartfelt moments, such as Dear Bill sung by Jak Malone, which brought me to tears. Operation Mincemeat doesn’t take itself seriously, but it still leaves room to tell this story respectfully. For instance, I connected with the character of Jean Leslie (Claire-Marie Hall), who just wants her intelligence to be useful in a male-dominated workplace. Plus, I have to be honest, I love anything that has a boy band parody moment!

The set itself is functional yet not over-the-top. I see the set as more of a tool for the actors to tell the story to the audience, rather than just being decorative. There are cleverly placed doors, maps, and phones, for example, that allow for smooth transitions between scenes. Yet an elaborate set is not needed for Operation Mincemeat with the focus of the musical being the actors themselves.

At the end of the day, I left the theatre with a big smile on my face wanting to immediately go down a Google rabbit hole to learn about the real Operation Mincemeat. There are few experiences that make me think “this is theatre” when the curtain falls, and this show accomplishes that easily. Do I think this show is for everyone? No, I think more traditional theatergoers may not understand nor appreciate the comedy of the show, especially considering the topic. Yet if you are looking for a fresh take on a historical story that is told in a unique way, I highly recommend this show. This is certainly one that I would not hesitate to repeat attend.

STAGE DOOR

The Stage Door at the Golden Theatre is directly to your left when you exit. There were barricades set up, and the cast quickly began trickling out to sign Playbills and take selfies with those who asked. All five actors came out to sign (FYI – I saw understudy Amanda Jill Robinson go on for the roles typically played by Zoë Roberts) , and they were all so nice and down to earth. The audience members were also very respectful, and it was fun to hear that many of the fans have seen the show multiple times to try to catch all the understudies! We also got to say hi to some of the actors from The Outsiders, who walked by from the Jacobs Theatre next door.

See my vlog from Operation Mincemeat on Instagram HERE.

Broadway Review | Mamma Mia!

Posted on by Adventures in Polishland

Mamma Mia!

Playing at Winter Garden Theatre

Musical or play? Musical

Lottery or Rush Tickets? $45.00 In Person Rush Tickets and $49.00 Digital Lottery Tickets

What I Paid: $99.50

My Rating: ★★★ 1/2

Official Website: https://mammamiabway.com/

A mother. A daughter. Three possible dads. And a trip down the aisle you’ll never forget! Mamma Mia!, the worldwide musical phenomenon, comes home to Broadway’s Winter Garden Theatre for a special limited return engagement beginning August 2nd.

The international musical sensation that has kept audiences dancing in the aisles for 25 years. Mamma Mia! is the Broadway getaway that audiences can’t wait to escape to, and this August it returns to the Winter Garden Theatre for a special limited engagement. You already know you’re gonna love it – get your tickets today.

REVIEW

When I found out that Mamma Mia! was returning to Broadway for a strictly limited engagement, I knew I had to be there. Regrettably, I missed this show during its original run, as I figured it would run long enough for me to catch it when I was ready. I have since learned not to put off shows you want to see, as you never know when they will close. Thankfully, the North American tour is making a 6-month stop at the Winter Garden through February 1, 2026, and I was able to catch it during my most recent trip to New York City.

I purchased a Center Orchestra ticket in Row H at TKTS for 50% off at $99.50. This is a full view seat, and I am very happy I got such a great deal on what was otherwise a hefty ticket price. That being said, this show has not been on TKTS consistently, so I do recommend purchasing tickets in advance if Mamma Mia! is a must see for you. I will say that I have sat in the very last row of the orchestra at the Winter Garden before without a bad view.

If you are familiar with the Mamma Mia! movie adaptation, the storyline of the Broadway show is very similar with a few small differences here and there. The music is, of course, absolutely wonderful. The cast is all exceptionally talented, but I especially loved Donna (Christine Sherrill), Tanya (Jalynn Steele), and Rosie (Carly Sakolove). These women are killing it with their powerful vocals, stage presence, and comedic timing. Sophie, played by Amy Weaver, is also a highlight with her beautiful voice. Similarly, the Mamma Mia! band is incredible. I will warn you, though: the opening to Act 2 after intermission starts so loudly and abruptly that the entire audience jumped, and many people screamed from being startled!

While I had heard a fair amount of negativity online about the set, as someone who never saw the original production of Mamma Mia!, I did not find the set to be lacking at all, especially when considering this revival run is part of the tour. Though simple, the set is bright and functions well for the show. In fact, it allows for the choreography with the large ensemble cast to really shine. If you enjoy shows with big dance numbers, Mamma Mia! has some really fun ones, such as Gimme! Gimme! Gimme!

Probably the only thing that detracted from my enjoyment of the show was not the show itself, but the audience. Since Mamma Mia! is a jukebox musical, I was afraid that people would be singing along. While that did happen a bit, what was worse was the talking! The family to my left was from Europe, and the father translated nearly the entirety of the show to his teenager. Similarly, the couple to my right also spoke at many points. This unfortunately was quite distracting, but at a big touristy musical like Mamma Mia!, it is to be expected.

That being said, I overall thoroughly enjoyed seeing Mamma Mia! on Broadway. This show is a great mix of upbeat, show-stopping numbers that are full of fun, all with tenderhearted moments between a mother and her daughter mixed into the plot. In a day in age where the real world can feel overwhelmingly bleak, Mamma Mia! is the perfect way to spend a few hours of your day having the time of your life!

STAGE DOOR

The Stage Door at the Winter Garden is directly opposite the theatre’s main entrance. You will find barricades set up on 7th Avenue between 50th and 51st Streets. Although I attended a Wednesday matinee performance, Mamma Mia! did not have an evening show, and to my delight and surprise nearly the entire cast came out to sign Playbills and take selfies with audience members. This was a wonderful Stage Door experience, as the fans were all polite and respectful, and the performers were all super friendly. While I don’t know if the cast comes out for matinees on two-show days, I would recommend stopping by the Stage Door if you have time.

See my vlog from Mamma Mia! on Instagram HERE and learn more about my experience buying tickets on TKTS HERE!

Broadway Review | Just in Time

Posted on by Adventures in Polishland

Just in Time

Playing at Circle in the Square Theatre

Musical or play? Musical

Lottery or Rush Tickets? $40.00 In Person Rush Tickets

What I Paid: $199.00

My Rating: ★★★★

Official Website: https://justintimebroadway.com/

Tony Award® winner Jonathan Groff (Merrily We Roll Along, Hamilton) is back on Broadway and is “onstage perfection” (Chicago Tribune) as Bobby Darin, the legendary singer whose short but remarkable life took him from teen idol to global sensation. Developed and directed by Tony Award winner Alex Timbers (Moulin Rouge!, Beetlejuice), with a book by Warren Leight and Isaac Oliver, Just In Time is an “utterly electrifying” (Entertainment Weekly) new musical that immerses audiences into an intimate nightclub “so seductive in ambiance that you find yourself not wanting to go back outside” (Chicago Tribune). Complete with iconic Bobby Darin hits including “Beyond the Sea,” “Mack the Knife,” “Splish Splash,” and “Dream Lover,” Just In Time is “a helluva good time at the theater” (Time Out).

REVIEW

If not for Jonathan Groff starring in this bio-jukebox musical chronicling the life and career of Bobby Darin, I would not have spent a Tuesday night in the basement of Wicked. Thankfully, Groff was enough to lure me to the Circle in the Square for a one-of-a-kind Broadway experience that will always have a special place in my heart.

I purchased a full price ticket in advance directly from the box office online, as Just in Time has been selling over capacity consistently since its run began. Since this theatre is set up primarily in the round, there really isn’t a bad seat in the house. I was in Row F on the left side of the main stage, and had a fully, unobstructed view. The cast also moves around the entire floor section quite a bit throughout the show, so many audience members have the opportunity to be in the Groff “splash zone” at one point or another. If you do choose to splurge on table seats, the actors will likely interact with you, and you will essentially be part of the show.

Similarly, the set and theatre really create a unique experience for Broadway-goers. From the moment you walk into the nightclub-like set-up, you feel as if you have entered a different dimension. This is amplified by the show itself, as Groff breaks the fourth wall right from the start of the show by introducing himself as the actor who will be playing your Bobby Darin, and by sharing his personal connection to the music. Not only does this interaction create a special bond with the audience, but Groff goes so far as to outright mention how the magic of live theatre is encompassed in what happens inside the room at that specific moment, as it can never again be recreated in the same way. As someone who shares this sentiment, I found it quite emotional to hear these words out loud.

Moreover, the plot of Just in Time is similar to other musicals of the same vein, following the life of Bobby Darin while featuring his music throughout the show. While I did learn a lot about Darin, and found myself very touched at certain moments, I also felt myself thinking that this style of musical is overdone. Similar to The Neil Diamond Musical A Beautiful Noise, which I saw in 2023, the best moments of Just in Time are the big musical numbers. I’m not sure how I feel about these biographical shows focusing on people who yearn to be famous all while making questionable decisions, such as Darin essentially stealing from other artists in an attempt to gain popularity. Perhaps Just in Time is a good reminder that those musicians who seem larger than life are mere humans after all.

In the end, I left Just in Time grateful to have experienced a few hours in the presence of Jonathan Groff. He is in his element in this show, and it is clear he is born to be a performer. That being said, it will be interesting to see if Just in Time has a life outside of Groff. The show is, in many ways, built around him as a person, and likely requires some rewrites if another star steps into the leading role. Thus, if you have the opportunity (and the funds!) to see Just in Time, I do think Groff is worth the price of admission, and he is very well supported by a talented cast and band.

STAGE DOOR

The Stage Door at the Circle in the Square is directly to your left when you exit. There will be barricades set up around the perimeter, and security will keep you well informed along the way. We were told that some of the performers do sign Playbills, but that Jonathan has never come out at Stage Door. We were very fortunate to have four cast members sign our Playbills: Lance Roberts, Emily Bergl, Gracie Lawrence, and Ericka Henningsen. This Stage Door experience was not only well organized, but all of the audience members were polite and respectful. It was a great way to end the night.

See my vlog from Just in Time on Instagram HERE.

Musical Manicures | American Idiot Inspired Nails

Posted on by Adventures in Polishland

Today I am excited to begin a new series that has lived in my brain for a while. It’s called Musical Manicures, and combines my love for nail polish with my love for musical theatre. I wrote down every Broadway musical I’ve ever seen (that’s 45 unique shows!) and put them in a jar. Each round, I will randomly pick a show from the jar and create a nail polish look inspired by the musical. I think this will be a really fun way to look back on shows I’ve seen years ago, all while challenging myself to create manicures using polishes from my stash that I might not grab for on a regular basis. For this first round, I picked American Idiot out of the jar!

Image courtesy of Playbill

American Idiot is a rock opera based on the concept album of the same name by the band Green Day. I saw the show back in April 2011. I remember I wasn’t a huge fan of the show, but was excited to see the band’s frontman Billie Joe Armstrong live, as well as Justin Guarini from American Idol fame. I found my old blog review from 2011, and it’s honestly quite funny. These are my thoughts as a 21-year-old after seeing the show.

Despite my snarky post, I’m so glad I preserved my thoughts on the show! I really miss in-person ticket lotteries, and I can’t believe I got a seat in the orchestra for only $37.00. That being said, I think I agree with my younger self, as I don’t know that I would go see American Idiot again if the show gets a revival. Nonetheless, I’m excited to create a nail polish look based on the red, black, and white cover art of the Playbill.

The products used were originally sent for my unbiased review. Some links are affiliate links. All opinions are my own. See my Disclosure Policy for more information.

I decided to use a red nail polish as the main color, and then do an accent nail of white with black stars. I used Zoya Soko for the red polish, but you can use any true red shade you have. For the accent nail, I began with LVX Fantom, which is a white polish. I let that dry completely, and then used an old Born Pretty Store stamping plate to add the stars with Zoya Willa, a black polish. I don’t think this stamping plate is for sale anymore, but I found one with a similar design on Amazon. I completed the look with Holo Taco Glossy Taco.

I am really happy with how this first round of Musical Manicures came together! I think the nail polish really matches the vibe of the Playbill, and I definitely went outside of my comfort zone with the look. Of course, it was also fun to take a trip down memory lane and revisit a Broadway show I saw over a decade ago now. I hope you also enjoy this series. Please let me know your thoughts in the comments!

Each blog post will be accompanied by an Instagram Reel with an inside look of the Playbill and the manicure process! See this post’s reel HERE.

Broadway | Aladdin

Posted on by Adventures in Polishland
Aladdin on Broadway at the New Amsterdam Theatre

Aladdin

Playing at New Amsterdam Theatre

Musical or play? Musical

Lottery or Rush Tickets? Digital Lottery available through Broadway Direct

What I Paid: $83.00

Official Website: https://aladdinthemusical.com/

Disney’s ALADDIN is a dazzling and extravagant showcase of special effects — including a flying magic carpet during “A Whole New World” — as well as glittering-gold costumes and art deco-style sets that mirror the grandeur of a Busby Berkeley musical. One of Broadway’s most popular musical comedies, the show opened at the legendary New Amsterdam Theatre on March 20, 2014, and has since broken numerous house records (grossing over $500 million on Broadway). Eight-time Oscar winner Alan Menken composed the show’s music. The lyrics are by two-time Oscar winner Howard Ashman (Beauty and the Beast, The Little Mermaid), as well as three-time Tony Award and three-time Oscar winner Tim Rice and six-time Tony Award nominee Chad Beguelin. The book is by Beguelin and direction/choreography is by two-time Tony Award-winner Casey Nicholaw.   

REVIEW

Aladdin has been a Disney staple on Broadway since 2014. As a huge fan of the animated classic, I’ve always wanted to see this show. I attended for the first time in October, and overall really enjoyed this family friendly performance. I purchased tickets from TKTS the day before the show for the Sunday matinee, and got 50% off for Orchestra Left on the aisle. We had an excellent view of all the action! Unless you are going with a large group that wants to sit together, I highly recommend getting tickets last minute, as Aladdin is regularly available at TKTS.

The show itself is based on the movie Aladdin, but has some notable changes. I was disappointed that there was Abu and Rajah! were cut from the musical. Instead, Aladdin has a group of three human friends that have a substantial role in the show. Similarly, Iago is a human sidekick to Jafar rather than a parrot. The music is also a bit different. There are songs we know and love from the movie, with the addition of new songs written specifically for the stage show, and a few that were cut from the film as well. Despite these changes, the overall story remains the same, and is filled with Disney magic.

My absolute favorite character is Genie, currently being played by Michael James Scott. Genie honestly carries the show. He is hilarious, has great rapport with the audience, and his stage presence is fantastic. Scott’s performance in Friend Like Me truly stole the show! The other cast members were all talented, and had wonderful performances, but Genie really stands out amongst the performers.

Moreover, I was surprised with all of the different elements present in Aladdin. There are big dance numbers (including a tap dance!), ballads, extravagant costumes, special effects, and more. There are also funny moments where other Disney movies and television shows are referenced. Disney can use its vast intellectual property library to its advantage! I like that Aladdin can incorporate so much into one performance, making the show enjoyable to a wide audience.

I did want to touch on audience behavior for a bit in this post. I’ve heard a lot about bad behavior on Broadway since theaters re-opened after the COVID-19 closures. Luckily, while I have heard a lot of cell phones ringing during shows this year, I haven’t experienced anyone else acting too poorly. Unfortunately, the audience behavior at Aladdin was the worst I’ve encountered. I was worried about all of the children in the audience being disruptive during this Sunday matinee. However, the adults were the culprits! People sitting behind me were singing, adults ran into the aisles to pick up streamers for their kids mid-song, but the worst offenders were taking photos and videos during the show. As soon as A Whole New World began, the phones came out from multiple directions. The ushers did a fantastic job of shutting this down as soon as possible, but it was very distracting. I was disappointed that my favorite song of the show was tainted because of others. Parents, set a good example for your children and show them how to properly behave at a Broadway show!

Aladdin on Broadway Review

Now that I’m off that soapbox, I will conclude my thoughts on Aladdin by saying that I overall enjoyed it! Aladdin tends to have a mediocre reputation in the online Broadway communities, but I think that’s because the excitement surrounding the show has worn off since it’s been running for nearly a decade. That being said, I think Aladdin is a great option if you are looking for a family friendly show with a lot of classic Broadway elements. The show is fun, heartwarming, and based on a story that many of us love from our childhoods. I am glad I finally got to see it!

Broadway | Moulin Rouge!

Posted on by Adventures in Polishland

Moulin Rouge!

Playing at Al Hirschfeld Theatre

Musical or play? Musical

Lottery or Rush Tickets? Digital Lottery available through Lucky Seat

What I Paid: $250.45

Official Website: https://moulinrougemusical.com/

Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza. Directed by Tony Award winner Alex Timbers, Moulin Rouge! The Musical is a theatrical celebration of Truth, Beauty, Freedom, and — above all — Love. With a book by Tony Award winner John Logan; music supervision, orchestrations, and arrangements by Tony Award winner Justin Levine; and choreography by Tony Award winner Sonya Tayeh, Moulin Rouge! is more than a musical — it is a state of mind.

REVIEW

After hearing great things about Moulin Rouge! The Musical, I made sure to see the show on Broadway during a recent trip to New York City. I purchased full price tickets directly through the Moulin Rouge! website, and sat Orchestra Center, Row Q. This seat was further back in the orchestra, which meant that some of the set, specifically the windmill and elephant on the sides, was not fully visible. However, all of the onstage action could be seen quite well. I would not recommend sitting in the Can Can seats towards the front, as you will miss a lot of the show even though you’ll feel like you’re a part of it. If you can splurge for premium seats or the very front of the mezzanine, you will get the best view.

Moulin Rouge! is a jukebox musical that tells the story of Christian, a young American composer traveling to Paris. In an attempt to sell his music, Christian visits the cabaret club Moulin Rouge where he meets, and instantly falls in love with, the club’s star, Satine. What follows is a dramatic love story told through some of our favorite pop songs from the last few decades.

What makes Moulin Rouge! stand out from other jukebox musicals is the unique way the songs are mashed together to fit the story. As a first time viewer, part of the fun was recognizing the music as each song began. In fact, I really enjoyed it whenever there was an audible reaction from the audience whenever a song started. It’s very impressive how the pop songs we know and love get woven together in this show. While the music may not be original, the way it is presented in Moulin Rouge! is certainly very creative. I cannot even fathom how difficult it must have been to find just the right lyrics, orchestrate the mash-ups, and secure the licensing rights for this soundtrack.

That being said, the book in Moulin Rouge! was a bit weak for me. I rolled my eyes when Christian and Satine fell in love on the first night they met. It also felt like some songs didn’t really fit into the storyline, especially when you consider the 1899 timeline. I found myself absolutely loving the big production numbers with the full cast of dancers, but wanting more during the scenes that advanced the plot. There were also a few side stories that felt a bit thrown in, but overall the music and dancing made up for what was lacking in the book.

As for the cast, I was most excited to see Tituss Burgess as Harold Zidler. Burgess did an incredible job, and it really felt like he was made for this role. The audience had a great reaction to him, and he owned the stage as the energetic host of the Moulin Rouge. Courtney Reed is currently playing leading lady Satine, and she is certainly a highlight as well. Her voice is stunning, and she easily portrays the different facets of this character. Unfortunately, Casey Cott struggles as Christian. He just couldn’t hit many of his notes, especially in the higher register. Thankfully, he has good chemistry with Reed, and does capture the character of Christian well. I also wanted to give a shout out to Clay Rice-Thompson in the ensemble, who I’ve followed on Instagram for years. It was so fun to see him perform!

Moreover, one aspect I really loved about Moulin Rouge! is the atmosphere. As soon as you enter the theatre you feel as if you’ve been transported to the club in Paris. The lighting is dark with a red tone before the show beings and during intermission. The performers also slowly enter the stage before the opening number, and they are immediately in character. The set is intricate and beautifully built to capture the mood of the show. It’s really no surprise that Moulin Rouge! won the Tony awards for Best Scenic Design and Best Lighting Design. The Al Hirschfeld is truly transformed, and I love when Broadway feels immersive.

Overall, Moulin Rouge! is a fun and magical night of musical theater. Without giving anything away, the ending sequence of the show alone was worth the price of my ticket. While I wish the book and our leading man’s voice were stronger, I otherwise really enjoyed the show and understand why it has such a loyal fanbase. I only wish I saw it with Aaron Tveit, who originated the role of Christian! Nonetheless, I definitely recommend Moulin Rouge! It’s a great choice for those new to Broadway, due to the captivating ambiance and recognizeable music. As for me, I would certainly see this show again, but I will likely wait for a cast change.

Broadway | The Book of Mormon

Posted on by Adventures in Polishland

The Book of Mormon

Playing at Eugene O’Neill Theatre

Musical or play? Musical

Lottery or Rush Tickets? Digital Lottery Available through Lucky Seat

What I Paid: $199.00

Official Website: https://bookofmormonbroadway.com/

Something incredible is happening 8 times a week on Broadway. It’s THE BOOK OF MORMON! Winner of 9 Tony Awards®, including Best Musical, this hilarious smash hit follows a mismatched pair of Mormons sent on a mission to a place that’s about as far from Salt Lake City as you can get. Entertainment Weekly calls THE BOOK OF MORMON “the funniest show ever.” The New York Times simply calls it “the best musical of this century.”

REVIEW

It took me twelve years, but I finally made it to The Book of Mormon on Broadway! This show opened the first semester that I lived in New York City, and it soon became one of hardest tickets to get. I remember entering the in-person lottery many times when that was still a thing. It was always a fun experience because hundreds of people would turn out daily! As you can guess, I was never successful in winning the lottery. Thankfully, the show is still running over a decade later, and the tickets are more affordable and attainable.

I purchased my ticket at the box office the day before the show, and got a third row seat in Orchestra Center, Row C. I did pay full price, which annoyed me a bit, since I knew if I waited one more day I could likely get a steep discount at TKTS. Nonetheless, I had an incredible seat, and I was happy to be so close to the action!

While I knew the basic premise of the show, I somehow managed to avoid major spoilers all these years. The show follows two Mormon missionaries, Elder Price and Elder Cunningham, as they are sent off to Uganda to convert as many locals as possible to the church. Things go wrong for the pair as soon as they get off the plane, and they are in for a huge reality shock when it comes to what life is like in Uganda.

As I expected, The Book of Mormon is absolutely hilarious. I love the mis-matched pairing of rule-following Elder Price with disheveled Elder Cunningham, and while I wish I had the opportunity to see the original cast, the current actors are fabulous. Kevin Clay is an amazing Elder Price. His voice is great, and his performance is reminiscent of the little I’ve seen of Andrew Rannells in the role. When I saw the show, Noah Marlowe went on as Elder Cunningham, and he was absolutely perfect! He was so funny and I couldn’t imagine how he was the standby and not the regular lead!

Moreover, I did want to mention how this show is even cruder than I imagined. Yes, it is written by South Park creators Trey Parker and Matt Stone, but it is definitely boundary pushing. There is no curse word left unspoken, and the show has very adult themes. Also keep in mind that the entire show is making fun of the Mormon church and their out-there beliefs. I noticed that some people sitting near me left at intermission, and I’ve read that is common at this show for those who don’t realize what it entails.

Similarly, I wasn’t sure what to make of how the show treats race. This was an area where the book did feel a bit dated, and not up to 2023 standards. While I understand the show is a satire, and depicting to the audience how the Mormons view the Ugandans, I did feel like the it toed the line of perpetuating negative stereotypes. Sure enough, I learned that there were changes made to the show when it re-opened after the COVID-19 closures to “sharpen the satire of Mormonism.” Was this fully successful? Honestly, I’m not sure.

All of that said, I really enjoyed the music and dancing in the show. The songs are quite catchy, and I’m always thrilled when there’s a tap dance number! I also loved how the entire cast works together and interacts throughout the show. Every ensemble member gets featured at one point or another, and it looked like they were genuinely having a great time during the performance. That’s one of the reasons I really like sitting up close – I can see the performers’ expressions really well!

In the end, I’m so glad I finally made it to The Book of Mormon! This felt like a full circle moment for me, and I’m grateful the show has remained on Broadway all of these years. If you’re looking for a musical that will have you laughing from start to finish, this is a great option. Just be sure to keep in mind the subject matter!

STAGE DOOR

I did want to quickly note that I did not stop for the stage door after this performance. I would have loved to meet the cast, but I did not see any barriers set up around the stage door, so I decided to head back to my hotel rather than wait. If you’ve had success at the stage door for The Book of Mormon in recent years, please let me know in the comments!

Tony Awards 2023 | Ranking Each Broadway Performance by How Much it Influenced Me to Buy a Ticket

Posted on by Adventures in Polishland

The 76th Tony Awards went forward live on June 11, 2023, thanks to a compromise made with the Writers Guild of America as their strike continues. I was very intrigued to see how the show would do without any sort of script. Plus, I love watching The Tonys to see performances from currently running musicals, as they help me (and many others!) decide whether or not to pay the big bucks for tickets. This year, I was quite surprised with how the performances ended up changing my mind on some of the Broadway musicals. I thought it would be fun to share my ranking of the performances with you, and let you know whether or not I would buy a ticket for each show based on the Tony Awards performance alone.

For this post, I’ve decided to only include performances from currently running Broadway shows, as I’m focusing mainly on whether or not the performance inspired me to purchase a ticket. Of course, all of the performers are extremely talented, and this post is all in good fun. I am basing my thoughts fully on my own likes and dislikes when it comes to musical theatre, and I’ll share more about that as we go along.

10. & Juliet

I’ve been on the fence about seeing & Juliet for a while now. This jukebox musical is a retelling of Romeo & Juliet, and features pop hits from the 1990s and 2000s. Although I enjoy the songs included, the storyline isn’t that intriguing to me. That being said, I’ve heard a lot of good things about this show recently, and was leaning towards seeing it the next time I’m in New York. Unfortunately, the Tonys performance nearly solidified that the show isn’t for me. The vocals sounded really off, and the orchestration of Katy Perry’s Roar was oddly timed. The choreography was also quite basic and repetitive. It felt very campy, but not in a good way. Based on the Tony Awards performance, I would not see & Juliet.

9. Kimberly Akimbo

Next up is Kimberly Akimbo, which won the Tony for Best Musical! Despite its success at the awards, I’m just not drawn to the storyline. The cast performed the song Anagram, which I think was the right choice. It not only introduces the plot of the musical, but explains its name as well. The song was very well performed, and if I were to describe it in one word, it would be “cute.” That being said, the performance did not have that “wow” factor that would make me run to the box office. This seems like a good musical for those who typically enjoy plays.

8. New York New York

Another show I’ve been on the fence about is New York New York. I loved the dancing in this performance, as it gives that old school Broadway feel. However, I wasn’t sure what was going on with Colton Ryan’s accent, which felt very forced and unnatural. Similarly, the show’s concept feels derivative of other Broadway classics that have come before it. I’ve already seen and loved On the Town twice, so what does New York New York offer that’s new? The Tony Awards performance left me unsure.

7. The Neil Diamond Musical A Beautiful Noise

I’ve already posted a full review of A Beautiful Noise on the blog, which I recently saw and enjoyed. The cast performed Neil Diamond’s hit Sweet Caroline at The Tonys, and it was a fun moment. I especially liked how the ensemble was dancing in the aisles and interacting with the audience. I’m definitely a bit biased because I love Will Swenson, but this performance did make me think I could become a repeat attender at this show. Would I pay full price for a ticket? No, but I’d certainly enter the lottery on a regular basis if I lived in the city.

6. Camelot

Camelot is a show that I feel like is flying under the radar this season. I don’t see many people talking about it online, so I didn’t know what to expect. The Tonys performance actually surprised me in a good way! I liked the costumes, and thought the songs were quite catchy. I was most impressed with Jordan Donica’s performance, though. He sounded absolutely incredible, and his voice alone makes me want to see the show! The performance did make me wish that we had a Broadway show for Galavant… maybe one day that will happen!

5. Parade

I tend to go for upbeat and sparkly Broadway shows, so Parade wasn’t on the top of my list for my last NYC trip since it tells the true story of Leo Frank, a Jewish man who was wrongfully accused of a serious crime. That being said, I was blown away by Ben Platt and Michaela Diamond’s performance. They sounded beautiful, and I felt a bit disappointed knowing I’d probably lost my chance to see Parade with them in it since the show is slated to close on August 6th.

4. Some Like It Hot

Moreover, Some Like It Hot is one of those musicals that I just know I would enjoy! It has amazing dancing (including tap!), beautiful costumes, and a cast full of stars. J. Harison Ghee especially owns the stage, and I would love to see them perform live! The cast performed the title number for The Tonys, and it definitely made me excited to see what else the show has in store for audiences.

3. Funny Girl

I’ll be the first to admit that I had no desire to see Funny Girl because I’m not a Lea Michele fan. However, her Tonys performance changed my mind! Her voice sounds incredible, and I now understand why so many are flocking to NYC to see her perform. Her rendition of Don’t Rain on my Parade was so powerful that it made me want to buy a ticket to the show. Although, I think I’m out of luck because the show closes on September 3rd.

2. Sweeney Todd: The Demon Barber of Fleet Street

I did just see Sweeney Todd, and I posted a full review on the blog. Nonetheless, the Tony Awards performance made me want to buy another ticket immediately! Everything about The Ballad of Sweeney Todd is carefully crafted, from the lighting, choreography, and staging. Don’t even get me started on how chilling and powerful the vocals are! While it’s a shame Annaleigh Ashford did not get to show off her talents as Mrs. Lovett, this performance left the audience wanting more for sure.

1. Shucked

Last but not least is the biggest surprise of the night for me, Shucked! I honestly didn’t think this show was for me at all. I don’t like country music, and I’ve heard the show is non-stop dad jokes. Yet this performance was so much fun! I actually really liked the medley they performed, and the corn dancing (if that’s what you call it) was so well done. Shucked went from a probable “no” to an “I need to see that.” Major props to the entire company for changing my mind with one TV spot!

FINAL THOUGHTS

Overall, I really enjoyed watching the Tony Awards this year. I actually liked the unscripted version of the show, as it cut down on awkward teleprompter reading and things got to the point quickly. I’m excited to plan another trip to New York City and add some of these shows to my list of things to see!

Share your favorite Tonys performance with me in the comments!

Broadway | Sweeney Todd: The Demon Barber of Fleet Street

Posted on by Adventures in Polishland

Sweeney Todd: The Demon Barber of Fleet Street

Playing at Lunt-Fontanne Theatre

Musical or play? Musical

Lottery or Rush Tickets? Digital Lottery Available through Broadway Direct

What I Paid: $266.70

Official Website: https://sweeneytoddbroadway.com/

For the first time since 1980, Broadway audiences can experience Stephen Sondheim’s Tony Award®–winning score as it was performed in the original production—with Jonathan Tunick’s classic 26-player orchestration on an epic scale. Tony Award–winning director Thomas Kail (Hamilton) helms the return of this musical thriller starring Tony and Grammy® nominee Josh Groban (Natasha, Pierre & The Great Comet of 1812) as Sweeney Todd and Tony winner Annaleigh Ashford (Sunday in the Park With George, Kinky Boots) as Mrs. Lovett. Tony winner Alex Lacamoire (Hamilton, Dear Evan Hansen) reunites with Kail as Music Supervisor, and Olivier Award winner Steven Hoggett (Once, Harry Potter and the Cursed Child) choreographs this new production of Stephen Sondheim and Hugh Wheeler’s Sweeney Todd: The Demon Barber of Fleet Street.

REVIEW

I’m usually the type of person who enjoys seeing fun, upbeat, and glitzy Broadway shows, but when I found out Josh Groban and Annaleigh Ashford are starring in the new revival of Sweeney Todd, I knew it was an absolute must attend on my recent trip to New York City. I purchased a full price ticket directly through the show’s website a couple months in advance. Since I’m familiar with the show and didn’t feel the need to be that close to the bloody action, I picked a seat in the Center Orchestra, Row R. While the mezzanine does overhang just slightly, I did not feel like my view was obstructed at all, and highly recommend sitting here if you would like a slightly more affordable price.

If you’re new to Sweeney Todd, the show follows the title character as he returns to London after being sent away to prison on false charges by the evil Judge Turpin. He plots to get revenge against the judge, and re-opens his barber shop above Mrs. Lovett’s pie shop. What follows is a dramatic and death-filled story about a man trying to seek justice whilst descending into madness.

As I expected, the show is amazingly performed. I can’t tell you how exciting and surreal it was to see this cast in person. Josh Groban’s voice is incredible, and he does a fantastic job at going from a quiet Sweeney to a downright scary one as the show progresses. Annaleigh Ashford is the perfect Mrs. Lovett. Her comedic timing is spot on, and she had the audience in the palm of her hand for the entire show. The rest of the cast is wonderful as well. Jordan Fisher sounds beautiful as Anthony, and while Gaten Matarazzo was out for the performance I attended, his understudy Nathan Salstone did a flawless job. The other stand-out performance for me is Ruthie Ann Miles as Beggar Woman. Every time she was onstage, my heart went out to her!

Moreover, the theatre itself is transformed to capture the eerie feel of the show. The use of fog when the show opens helps to evoke that unsettled feeling. Similarly, the lighting is very well done. The ensemble is often shrouded in shadow, and many of the scenes have a very dark feel to mimic the story’s themes. If it weren’t for the ambulance sirens going by the theatre (that’s NYC for you), it would be easy to imagine that I’d been transported to dreary London.

I do want to quickly mention the bloody scenes for those of you who may be nervous about attending a gory show. Without giving away too many spoilers, I’ll mention that the anticipation of the bloody moments is actually much worse than the moments themselves. The orchestra and actors work together to create so much tension, that I was actually a bit relieved when the first “shave” takes place and not much blood is seen. In fact, each death is pretty quick, and I feel like the show does a great job at not glorifying them. If you’re still a bit uneasy, do as I did and sit a bit farther back!

Overall, I am thrilled I had the privilege of attending this Broadway revival of Sweeney Todd. Not only was it an amazing opportunity to see so many incredible performers on one stage, but the entire experience was amplified by the audience. From the moment the lights went down until the final bow, I felt like I was part of a wonderful group of theatre-goers experiencing greatness together. Everyone applauded with gusto when appropriate, and was enraptured throughout the rest of the performance. If you are able to see this show, I highly recommend it!

STAGE DOOR

I attended a Saturday matinee performance of Sweeney Todd. While barricades were set up around the stage door, security was very quick to inform everyone that, “There is no Stage Door.” This was disappointing, since I’ve seen many others on social media get their Playbills signed by the entire cast, but I do understand the need to rest between matinee and evening performances. The only off-putting thing was that if you even stood 10-15 feet away from the stage door itself, security yelled at you to move. I tried standing about 15 feet away to order food, and some others were slightly closer trying to look up directions on their phone. I would cross the street or move father down the block to avoid getting scolded, even if you think you are out of the way! If you do want to get your Playbills signed, you may have better luck at evening performances.

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Broadway | The Neil Diamond Musical A Beautiful Noise

Posted on by Adventures in Polishland

The Neil Diamond Musical A Beautiful Noise

Playing at Broadhurst Theatre

Musical or play? Musical

Lottery or Rush Tickets? Digital Lottery Available through Telecharge

What I Paid: $45.00 – Digital Lottery Win!

Official Website: https://abeautifulnoisethemusical.com/

The story of the legendary Neil Diamond comes to life on stage in an uplifting new musical featuring all his hit songs, including “Sweet Caroline,” “America,” and “Cracklin’ Rosie.” From those exhilarating early days in New York to the sold-out spectacles that defined his career, A Beautiful Noise explores the life of a rock icon through the music that made him “a national treasure” (Los Angeles Times).

Directed by Tony Award® winner Michael Mayer (Spring Awakening, Hedwig and the Angry Inch), choreographed by Olivier Award winner Steven Hoggett (Once, Harry Potter and the Cursed Child), and written by four-time Academy Award nominee Anthony McCarten (Bohemian Rhapsody, The Two Popes), A Beautiful Noise is a thrilling look at an artist’s search for himself and a celebration of the enduring power of his music.

REVIEW

I recently visited New York City for a long weekend with the goal to see as many Broadway shows as possible in just two and a half days. While I booked a few tickets in advance, I also wanted to enter some lotteries and go to a couple shows spontaneously. Luckily, I won the lottery for The Neil Diamond Musical A Beautiful Noise on the first try! For $45.00, I sat in Orchestra Center, Row O. This was a great seat, and I had the perfect view of the stage.

This is a jukebox musical featuring Neil Diamond’s songs, while also telling his life story. The show begins with present day Neil visiting his therapist. At first, he is reluctant to talk about his life, but she finally gets him to open up by going through his songbook. The audience then gets to follow Neil from the start of his music career as a songwriter, through his international stardom, and ending with where is he today.

I think it is clever to have two actors play Neil Diamond – the “Now” Neil is played by Mark Jacoby and the “Then” Neil is Will Swenson. I was so excited to see Will in this show (I loved him in Priscilla Queen of the Desert!). He does a wonderful job at showing the juxtaposition of how great Neil feels on stage as a performer with how depressed he feels in his daily life.

Moreover, I learned so much about Neil Diamond in this show. While I was familiar with many of the songs, I truly knew nothing about his life. I was impressed that that show is very honest and does not hold back when it comes to Neil’s infidelity and mental health struggles. Because the show isn’t sugar-coated, it feels very genuine, and I appreciate that real-life Neil allows so much to be shared with the audience.

My favorite moments of the show are, of course, the big musical numbers where “Then” Neil (Will) is adorned in a sparkly outfit. There is an interesting experience where Will breaks the fourth wall, addresses the “Broadway” crowd, and even encourages a bit of audience participation, which is usually a huge no-no on Broadway. I found these moments so much fun, especially the curtain call!

I also have to shout out Robyn Hurder, who plays Neil’s second wife Marcia Murphy. Robyn is an incredible performer! Her solo numbers are amazing, and her vocals and dance abilities are top notch. She truly owns the stage when she’s on it, and I’m so glad I got to see her perform. Speaking of dancing, the ensemble in this show is wonderful as well. I loved watching all of the dance numbers throughout the show.

Overall, I am so glad I won the lottery and got to see A Beautiful Noise on Broadway. If you are a Neil Diamond fan, this show is an absolute must see. That being said, even if you are not familiar with Neil’s work, I still think this show can be enjoyed by anyone. It’s a great mix of entertaining, show-stopping performances with more emotional real-life moments. If you want to have a night out that is so good, so good, so good, look no further than A Beautiful Noise!

STAGE DOOR

The Stage Door is directly to your right when you exit the theater. I saw a Friday evening performance, and very few audience members were waiting to get signed playbills. I think this is partly because the crowd at A Beautiful Noise is generally older in age, and it’s often the younger audience members who go to the Stage Door.

Security let us know right away that Will Swenson does not come out to sign Playbills. That was a bit disappointing, but I appreciated that we were told in advance.

Most of the cast rushed out the door quite quickly, but I was very thankful that Jess Leprotto (who I saw twice in Newsies and loved!), Linda Powell, and Robyn Hurder stopped to sign our Playbills. They were all very nice, and it was great to chat with them for a moment. All in all, I had a wonderful experience at A Beautiful Noise!

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