Tag: musical theater

Broadway | Aladdin

Posted on by Adventures in Polishland
Aladdin on Broadway at the New Amsterdam Theatre

Aladdin

Playing at New Amsterdam Theatre

Musical or play? Musical

Lottery or Rush Tickets? Digital Lottery available through Broadway Direct

What I Paid: $83.00

Official Website: https://aladdinthemusical.com/

Disney’s ALADDIN is a dazzling and extravagant showcase of special effects — including a flying magic carpet during “A Whole New World” — as well as glittering-gold costumes and art deco-style sets that mirror the grandeur of a Busby Berkeley musical. One of Broadway’s most popular musical comedies, the show opened at the legendary New Amsterdam Theatre on March 20, 2014, and has since broken numerous house records (grossing over $500 million on Broadway). Eight-time Oscar winner Alan Menken composed the show’s music. The lyrics are by two-time Oscar winner Howard Ashman (Beauty and the Beast, The Little Mermaid), as well as three-time Tony Award and three-time Oscar winner Tim Rice and six-time Tony Award nominee Chad Beguelin. The book is by Beguelin and direction/choreography is by two-time Tony Award-winner Casey Nicholaw.   

REVIEW

Aladdin has been a Disney staple on Broadway since 2014. As a huge fan of the animated classic, I’ve always wanted to see this show. I attended for the first time in October, and overall really enjoyed this family friendly performance. I purchased tickets from TKTS the day before the show for the Sunday matinee, and got 50% off for Orchestra Left on the aisle. We had an excellent view of all the action! Unless you are going with a large group that wants to sit together, I highly recommend getting tickets last minute, as Aladdin is regularly available at TKTS.

The show itself is based on the movie Aladdin, but has some notable changes. I was disappointed that there was Abu and Rajah! were cut from the musical. Instead, Aladdin has a group of three human friends that have a substantial role in the show. Similarly, Iago is a human sidekick to Jafar rather than a parrot. The music is also a bit different. There are songs we know and love from the movie, with the addition of new songs written specifically for the stage show, and a few that were cut from the film as well. Despite these changes, the overall story remains the same, and is filled with Disney magic.

My absolute favorite character is Genie, currently being played by Michael James Scott. Genie honestly carries the show. He is hilarious, has great rapport with the audience, and his stage presence is fantastic. Scott’s performance in Friend Like Me truly stole the show! The other cast members were all talented, and had wonderful performances, but Genie really stands out amongst the performers.

Moreover, I was surprised with all of the different elements present in Aladdin. There are big dance numbers (including a tap dance!), ballads, extravagant costumes, special effects, and more. There are also funny moments where other Disney movies and television shows are referenced. Disney can use its vast intellectual property library to its advantage! I like that Aladdin can incorporate so much into one performance, making the show enjoyable to a wide audience.

I did want to touch on audience behavior for a bit in this post. I’ve heard a lot about bad behavior on Broadway since theaters re-opened after the COVID-19 closures. Luckily, while I have heard a lot of cell phones ringing during shows this year, I haven’t experienced anyone else acting too poorly. Unfortunately, the audience behavior at Aladdin was the worst I’ve encountered. I was worried about all of the children in the audience being disruptive during this Sunday matinee. However, the adults were the culprits! People sitting behind me were singing, adults ran into the aisles to pick up streamers for their kids mid-song, but the worst offenders were taking photos and videos during the show. As soon as A Whole New World began, the phones came out from multiple directions. The ushers did a fantastic job of shutting this down as soon as possible, but it was very distracting. I was disappointed that my favorite song of the show was tainted because of others. Parents, set a good example for your children and show them how to properly behave at a Broadway show!

Aladdin on Broadway Review

Now that I’m off that soapbox, I will conclude my thoughts on Aladdin by saying that I overall enjoyed it! Aladdin tends to have a mediocre reputation in the online Broadway communities, but I think that’s because the excitement surrounding the show has worn off since it’s been running for nearly a decade. That being said, I think Aladdin is a great option if you are looking for a family friendly show with a lot of classic Broadway elements. The show is fun, heartwarming, and based on a story that many of us love from our childhoods. I am glad I finally got to see it!

Broadway | Moulin Rouge!

Posted on by Adventures in Polishland

Moulin Rouge!

Playing at Al Hirschfeld Theatre

Musical or play? Musical

Lottery or Rush Tickets? Digital Lottery available through Lucky Seat

What I Paid: $250.45

Official Website: https://moulinrougemusical.com/

Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza. Directed by Tony Award winner Alex Timbers, Moulin Rouge! The Musical is a theatrical celebration of Truth, Beauty, Freedom, and — above all — Love. With a book by Tony Award winner John Logan; music supervision, orchestrations, and arrangements by Tony Award winner Justin Levine; and choreography by Tony Award winner Sonya Tayeh, Moulin Rouge! is more than a musical — it is a state of mind.

REVIEW

After hearing great things about Moulin Rouge! The Musical, I made sure to see the show on Broadway during a recent trip to New York City. I purchased full price tickets directly through the Moulin Rouge! website, and sat Orchestra Center, Row Q. This seat was further back in the orchestra, which meant that some of the set, specifically the windmill and elephant on the sides, was not fully visible. However, all of the onstage action could be seen quite well. I would not recommend sitting in the Can Can seats towards the front, as you will miss a lot of the show even though you’ll feel like you’re a part of it. If you can splurge for premium seats or the very front of the mezzanine, you will get the best view.

Moulin Rouge! is a jukebox musical that tells the story of Christian, a young American composer traveling to Paris. In an attempt to sell his music, Christian visits the cabaret club Moulin Rouge where he meets, and instantly falls in love with, the club’s star, Satine. What follows is a dramatic love story told through some of our favorite pop songs from the last few decades.

What makes Moulin Rouge! stand out from other jukebox musicals is the unique way the songs are mashed together to fit the story. As a first time viewer, part of the fun was recognizing the music as each song began. In fact, I really enjoyed it whenever there was an audible reaction from the audience whenever a song started. It’s very impressive how the pop songs we know and love get woven together in this show. While the music may not be original, the way it is presented in Moulin Rouge! is certainly very creative. I cannot even fathom how difficult it must have been to find just the right lyrics, orchestrate the mash-ups, and secure the licensing rights for this soundtrack.

That being said, the book in Moulin Rouge! was a bit weak for me. I rolled my eyes when Christian and Satine fell in love on the first night they met. It also felt like some songs didn’t really fit into the storyline, especially when you consider the 1899 timeline. I found myself absolutely loving the big production numbers with the full cast of dancers, but wanting more during the scenes that advanced the plot. There were also a few side stories that felt a bit thrown in, but overall the music and dancing made up for what was lacking in the book.

As for the cast, I was most excited to see Tituss Burgess as Harold Zidler. Burgess did an incredible job, and it really felt like he was made for this role. The audience had a great reaction to him, and he owned the stage as the energetic host of the Moulin Rouge. Courtney Reed is currently playing leading lady Satine, and she is certainly a highlight as well. Her voice is stunning, and she easily portrays the different facets of this character. Unfortunately, Casey Cott struggles as Christian. He just couldn’t hit many of his notes, especially in the higher register. Thankfully, he has good chemistry with Reed, and does capture the character of Christian well. I also wanted to give a shout out to Clay Rice-Thompson in the ensemble, who I’ve followed on Instagram for years. It was so fun to see him perform!

Moreover, one aspect I really loved about Moulin Rouge! is the atmosphere. As soon as you enter the theatre you feel as if you’ve been transported to the club in Paris. The lighting is dark with a red tone before the show beings and during intermission. The performers also slowly enter the stage before the opening number, and they are immediately in character. The set is intricate and beautifully built to capture the mood of the show. It’s really no surprise that Moulin Rouge! won the Tony awards for Best Scenic Design and Best Lighting Design. The Al Hirschfeld is truly transformed, and I love when Broadway feels immersive.

Overall, Moulin Rouge! is a fun and magical night of musical theater. Without giving anything away, the ending sequence of the show alone was worth the price of my ticket. While I wish the book and our leading man’s voice were stronger, I otherwise really enjoyed the show and understand why it has such a loyal fanbase. I only wish I saw it with Aaron Tveit, who originated the role of Christian! Nonetheless, I definitely recommend Moulin Rouge! It’s a great choice for those new to Broadway, due to the captivating ambiance and recognizeable music. As for me, I would certainly see this show again, but I will likely wait for a cast change.